STANDARD PRACTICE
soft law / wet film
I used to sign things I wasn’t supposed to understand.
not in some dramatic, flashy way
just people running around everywhere, fluorescent lights, craft services, and someone saying “it’s standard”
like that made it gospel
and I’d nod. I needed the fucking money after the debt I’d acquired making myself anemic and manic-depressive at NYU.
film sets do that to you, they give you a sense of urgency because everyone else is running around with their asses on fire.
bruised and mealy craft service apples
sweating under plastic wrap,
me pretending I wasn’t counting coins
in my head like fucking rosary beads.
maybe I’ll be able to buy Jameson, marb reds
and cocaine this weekend. I had enough beans and rice to get me through for a while and eating was really just for sport anyway.
we were always waiting around for something to start.
or stop. hard to tell.
after wrap I’d go home
through that thin New York-blue exhaustion,
my bag smelling like other people’s stuff
and in my bathroom
the world would turn red.
not even metaphorically.
just a taped-up bulb
hanging there like a stupid decision I kept making anyway.
I’d spool film in the dark like I knew what I was doing. I didn’t, not really at least.
it’s drunken trust that only happens
when you’re broke enough to trust your own abilities vs. someone else’s. in this case a film lab. sink running.
developer tray clouding.
my hands going pale and unfamiliar,
me, trying very hard to stay alive on schedule.
and the thing is
I think I liked it more than any set.
on set I was a ghost with a film camera.
in my bathroom I was at least
in conversation and in charge with the art
nothing spoke back, obviously,
but still.
faces arriving slowly in liquid,
memory deciding what it wanted to keep.
I’d think about signatures. NDAS
developing chemicals drying my skin out
how easy it was to agree to things
when you were tired enough.
and I guess that was the joke of it
I thought I was entering the industry.
a young bull who would one day make movies of her own like a non Nepo Sofia Coppola
really I was just learning
how much of myself could be made invisible
without anyone noticing the difference.
any sort of creative spark was gone when I’d work jobs like this. any job really
some nights I’d hold the strip up
and watch it flicker under the red light
like it might tell me what to do next
it never did.




"bruised and mealy craft service apples
sweating under plastic wrap"
perfect visual/physical metaphor for this poetic passage of your life
The image of faces slowly emerging in the developer, while you’re holding on by a thread, is so powerful. Thank you for sharing this vulnerable snapshot of what it really costs to chase that creative life.